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Their debut album has its moments too, such as the title track, whose riff never lets up. The boy-girl trio (average age: 18) had somehow melted down the White Stripes, the Strokes and Nirvana into a fierce but addictive shape.
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You could not watch music TV earlier this year without seeing the clip for the Subways' single 'Oh Yeah' a dozen times a day.
Illinoise is a triumph, on a par with Ry Cooder's Chavez Ravine. But this time around, Stevens breaks up his oblique sing-song folk forms with Rodgers and Hammerstein-style curlicues and filigree. The long song titles of Michigan survive ('How to Demolish an Entire Civilisation and Still Feel Good about Yourself in the Morning').
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As a writer, Stevens has an unerring ability to skewer wrongdoing and winnow out the poignant, even in the tale of Illinois-born serial murderer John Wayne Gacy. Illinoise is even better than Stevens's maiden geographical outing. But here is Illinoise, following on from Stevens's 2004 masterpiece, Seven Swans, which presented stately concerns for songcraft that reverberated with the intensity of Old Testament parables. When he said he'd write one for every state in the Union, few believed him. Rococo folk sensation Sufjan Stevens came to prominence with his 2003 album, Michigan, a moving paean to his native state. But Röyksopp's pop instincts are well primed on 'What Else Is There', featuring guest vocals of Karin Dreijer. The Understanding still harbours too many near chill-out atmospherics to be praised unreservedly. They have an amusing stab at UK garage with '49 Per Cent'. There are, however, harder clubbable tunes such as 'Alpha Male' or 'Circuit Breaker'. The Understanding keeps faith with Torbjorn Brundtland and Svein Berge's woozy after-hours template. It's taken the duo a long time to create a follow-up to 2001's Melody AM, their comedown hit. The port of Bergen became prime musical real estate a few years back when, led by Röyksopp, Norwegian artists turned everyone's attention north. There's more of the dirty being done here than you can shake a platinum disc at, but every track ends on a cliffhanger. A big radio hit in the United States, 'Trapped in the Closet chapters 1-5' is included here. But Kelly may actually be some sort of genius, having hit on the wheeze of releasing a soap opera in serial song form. So it goes on, ad tedium, with the help of guests such as Snoop and the Game.
'Kicking it with your Girlfriend' finds a cad gloating about his conquest of his girl's best friend. 'Put my T-shirt On' tells of how R hots up when his girl wears his clothes. A song called 'Sex in the Kitchen' details a tryst on a counter. TP3 Reloaded breaks new ground in grunting literalism. Rhythm and blues kingpin R Kelly needs no introduction, but there is probably a PhD thesis in how it is that a man so prosaic manages to sell so many records. This album originally came out with little fanfare last year, but it has been subsequently snapped up by Atlantic and given a fresh push. That said, Hard-Fi's single went into the charts last Sunday, on its second wind. Archer and his band have tunes and populist charm, but their foursquare songs lack shivers.
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Stars Of CCTV paints a picture of Noughties Britain full of industrial estates, misspent youth and -blokish desire. Staines-born Hard-Fi linchpin Richard Archer follows the footsteps of dystopian darlings 2-Tone especially closely here, borrowing their dub echoes and glances over the shoulder.
The rest of Barrio Fino doesn't let up, updating the sub-genre of Spanish-language hip-hop with a new swagger.įrustration and dystopian angst have a proud record in pop music, turning unpromising environs into artistic inspiration. Shouting, of course, sounds even better in Spanish than it does in English and, like other Daddy Yankee tracks, 'Gasolina' has a spendidly infectious lurch. 'Gasolina' is already a hit in Europe and both Americas. The result is called reggaeton, and veteran star Daddy Yankee is the first artist off its blocks on the international scene. Puerto Rico, for instance, has taken its Caribbean coordinates, its own Latin forms and infused them with hip-hop's rhythms and gothic threat. In the past few years, hip-hop has gone on something of a cultural spree, sampling Arabic music and cross-pollinating with Jamaican dancehall, to name but two genres.